
Upon proclaiming my love for these young Scots' scorching debut, an acquaintance mentioned it was "post-rock with Scottish charm." While tec...
Upon proclaiming my love for these young Scots' scorching debut, an acquaintance mentioned it was "post-rock with Scottish charm." While tec...
This Arts & Crafts showcase/book launch for This Book Is Broken had the worst kept secret in Toronto: the re-appearance of Broken Social Sce...
Arising from the ashes of Starling, this new Ian LeFeuvre project similarly mines the melodic Brit-rock veins but somehow comes out smelling...
With two previous charming, yet purposefully odd, albums under their belt Black Moth Super Rainbow made a hard decision with this recent eff...
The sophomore album is a tricky balance. You want to show maturity and longevity, to prove to your fans (and yourself) you're in this for th...
Matt Ward is an odd fellow. Blessed with an aged voice and an inclination toward "older" music, he's a man out of time. Earlier solo appeara...
Is this the end of Immaculate Machine? This Victoria power trio have pumped out some memorable fast-paced pop over their last two albums (ch...
This musical project of Carolyn Berk sure sounds ramshackle at first but over the course of the album the minimum instrumentation and lo-tec...
Music and complacency do not go well together, yet evolution is a tricky proposition. Artists are invigorated by their newfound leap while t...
While Dog Day's newest album, Concentration, is in the can and waiting to be released on April 28, it hasn't stopped the Halifax foursome fr...
With a title like that, it's guaranteed this isn't going to be a laugh-a-minute kind of record. Indeed, true to his previous releases, Barzi...
One of the most surreal concert experiences was having the audience shout requests for their favourite songs at a GY!BE show, knowing full w...
While April Fool's Day is supposed to end on noon of that day, it got extended for the audience's benefit because, despite the excellent qua...
Hailing from Boston, MA, Marissa Nadler doesn't really fit in any genre. Though she's been labelled freak folk more often than not (as she's...
Marissa Nadler is not "freak folk"; it's loathsome term that implies some kind of loopy hippy that's disconnected from the world and just fl...
Andrew Vincent has learned more than a few tricks over four albums and this, his fifth, is deceptively simple. Featuring sparse instrumentat...
It's hard to believe that Elvis Perkins didn't seriously start playing music until he was at least 30. While his debut, Ash Wednesday, had a...
While Howie Beck hasn't gotten the love from his home country that he's received in Europe, How To Fall Down In Public will hopefully change...
While Spearin's success as Broken Social Scene's proudly moustached multi-instrumentalist may have allowed this album to debut in front of a...
This is an odd title, as if you've ever seen Asobi Seksu live or heard some of the more epic songs on their last album, Citrus, this dreamy...